After that, it gets hard to keep up at times. The first death occurs within the first six minutes of the movie, with the second following less than two minutes later. The last thing Danton does in the movie (after the greatest Novelty Death of them all see below) is order Hogan to strip to his underwear and run, so the games have obviously just begun for these two muscle daddies.Ī solid 60 confirmed onscreen deaths, with at least a dozen more possible-to-probables, one of whom is definitely at least paralyzed after Danton picks him up and wraps him around a tree back-first. Danton actually dons more clothing for this final stretch, but said clothing consists of a leather vest with bullets and grenades all over it and some very butch army pants, so you tell me. “I want you.” He hastens to add the word, “Dead,” to this confession of love, but no one in the audience is fooled as we enter the climactic showdown. “You know what I want,” Hogan says to Danton before their final confrontation. However, before he does, he explicitly states that he is doing it only in order to hurt Danton “more than he could ever hurt me,” so it is pretty safe to assume he is picturing Danton throughout the regrettable chore, as he undoubtedly has been for years in other encounters with women, consensual or otherwise. Though Sybil is practically ignored in this scene, and Hogan shows no particular emotion over her inevitable death at Danton’s hands later on, he does again display troubling heterosexual tendencies when he rapes Danton’s wife, Jaimy (Suzzane Tara), in the third act. “I’d give anything to have twenty men just like him,” Hogan says, trailing off nearly to a whisper at the end. When Hogan sees the corpses of the first of his men to run afoul of Danton, he recognizes the style of his former protege immediately, and soon he is drinking and speaking wistfully to Sybil (Dawn Abraham) about Danton while looking off into the middle distance as (I shit you not) romantic music plays on the soundtrack. You might think the fact that he was filming his own brother would deter director Prior from overly sexualizing his male lead’s physique in the classic ’80s Action manner, but you would be wrong.īoth Danton and Colonel Hogan (David Campbell), the Bennett to Danton’s Matrix, are ostensibly involved with women (Danton is married, while Hogan is carrying on an affair with a female subordinate named Sybil), but it is clear from the start that they are just doomed broads in the way of the true love story at the heart of the movie. Not for long, though, as minutes after being abducted by the bad guys Danton is “forced” to shed the baggy sweatshirt obscuring his inexplicably glistening pecs and abs in the opening scenes, and is now gloriously nude but for the tiny cutoff jean shorts he wears almost exclusively for the rest of the movie. In Deadly Prey it is a mere assault rifle, while Matrix carries an entire tree on his burly shoulder in Commando, and unlike the full-on beefcake shots that begin that fine film, Danton’s physique is obscured in cock-teasing silhouette for the moment. Prior), is strikingly similar to that of Schwarzenegger’s John Matrix in Commando, with an Adonis-like male figure carrying a phallic object through the rugged wilderness. Our introduction to our hero, Mike Danton (Ted Prior, brother of writer-director David A. I am probably the first person in history to ever take notes on this particular movie, and no fewer than four pages of those notes begin with the headline: “Homoeroticism (Cont’d).’ In many ways, Deadly Prey resembles the classic standard-bearer Commando (released only two years before), and in no area is this more evident than in their shared brand of smoldering, hostile man-love. Entire Story In Fewer Words Than Are In This Sentence:
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